![]() Further limitations were related to particular scenes. everything that happens from dusk till dawn, appeared at that moment. The scenes I've mentioned presented some ordinary experiences. ![]() I asked myself what is the best framework that may be established for such a story. I self-imposed certain limitations on my expression. There were a few scenes that I liked a lot, and I wanted to build upon them. NS: In the pre-production there is a moment when you have to focus on the structure, and move from animation tests to shooting. OB: How did you find a balance between the artistic spontaneity that we can sense from what you just said, and a precise planning which – as I assume – preceded the filmmaking process? I wanted to find a language adequate for this specific project. I left behind the idea of animating on the water but I was still interested in the ways the thread moves and behaves when animated at the surface. I explored the feelings that arise from visual – but not cognitive – experience of a film. I wanted the thread to be integrated into the structure of interdependent connections. Already back then I was looking for a way to visualize how everything around you and within you remain interconnected by the patterns of cause and effect. In the third year I've tried to animate threads on the water. I have just finished an abstract film, and I was not very eager to start another production. OB: How did you arrive at this particular visual metaphor? NS: It was my last year at the film school. This had happened almost a year before I completed the film. Following that the whole structure of the film has emerged. At that moment the visual metaphor I had searched for absorbed the shape I wanted to develop further. Do you still remember your initial emotions and ideas? NS: The moment when Marbles became Marbles happened after the first animation tests of the threads on a backlit multiplane. OB: Marbles was completed in January 2019. Natalia Spychała talks to Olga Bobrowska about her acclaimed experimental animation short Marbles. What is the cause and what is the effect? A stop motion animation made with threads on the glass plates coated with vaseline - Film Synopsis The sound interwaves with the image, creating the music of repetitive events. A body, space and variety of objects form a rhythmic system of interdependence. ![]() The hypnotizing pendulum sets a particular mechanism in motion.
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